The Chamber Music of David Amram

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May 182014
 

“David Amram is arguably the most American of American composers. His music has drawn from a diversity of sources and styles: the American ‘classical’ style, theater and film music, the ‘great American songbook’, folk, jazz, blues, native American melodies and instruments, beat poetry, and many other influences. His music reflects America’s virtues of innovation, independence, and multiculturalism. And it’s a blast to listen to!”

– Gene Gaudette, Urlicht AudioVisual

David Amram — composer, conductor, multi-instrumental virtuoso, and author — is one of the most versatile, acclaimed, and truly unpredictable musicians America has produced. His surprising litany of achievements include the world’s record for number of performances of the Brahms Horn Trio (during his military service in the 1950s), musical collaborations with Jack Kerouac and Allen Ginsburg, numerous film scores including his acclaimed music for “The Manchurian Candidate”, pioneering work in promoting native American and world music, advocacy for music education and youth music programs, and a tour of Cuba in 1977 with Stan Getz and Earl “Fatha” Hines (the first visit by American musicians since the trade embargo of 1962). In 2012, the New York Chamber Music Festival presented an evening of Amram’s chamber music performed by acclaimed flutist Carol Wincenc, violin virtuoso Elmira Darvarova, New York Philharmonic hornist Howard Wall, the Face the Music Ensemble, the New York Piano Quartet, and the David Amram Quartet.


Program:

Sonata for Violin and Piano
Elmira Darvarova, violin • Tomoko Kanamaru, piano

Theme and Variations on “Red River Valley” for flute and strings
Carol Wincenc, flute • Face the Music Ensemble

Giants of the Night: A Concerto for Flute and Orchestra (version for flute and piano) – Andante
Carol Wincenc
, flute • Hsin-Chiao Liao, piano

Portraits for piano quartet
New York Piano Quartet with guest cellist Wendy Sutter

Blues and Variations for Monk for French horn
Howard Wall, horn

Five Readings from Jack Kerouac’s “On the Road” for narrator(s) and jazz quartet
Ekayani ChamberlinAdira AmramDouglas Yeager, narrators • The David Amram Quartet

All works published by C.F. Peters Corporation

Recorded live September 7th, 2012 at Symphony Space, New York City

Engineered by Gene Gaudette and Howard Wall • Produced by Gene Gaudette

Total Playing Time 79:57

UAV-CD-5987

CD retail release date: July 22, 2014

Available NOW exclusively from Urlicht AudioVisual

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Miranda Cuckson and Blair McMillen Play Music of Carter, Sessions, and Eckardt

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Feb 102014
 

Urlicht’s newest release is a tour-de-force of modern American masterpieces for violin-piano duo and solo violin, including the  world premiere release  of Jason Eckardt‘s daunting “Strömkarl” for violin and piano – commissioned for this release – played by two of today’s most in-demand champions of new music, violinist Miranda Cuckson and pianist Blair McMillen.

Of “Strömkarl”, Miranda says:

Jason Eckardt is an artist whose music impresses with its combination of intellectual thoroughness, vigorous physicality and spontaneous volatility. His enthusiasm for complexities and his sincere assimilation of a variety of musical genres have given his music an individual and distinctly American cast. Collaborating with him and with Blair McMillen on his piece Strömkarl was a memorable experience, and I am delighted to add it to this strong chain, linking works of the past few decades to those of the present.

The recording includes Elliott Carter‘s Duo for violin and piano, and Roger SessionsSonata for violin solo.


Elliott Carter: Duo for violin and piano (1973) [21:56]
Roger Sessions: Sonata for solo violin (1953)
1. Tempo moderato, con ampiezza, e liberamente [10:53]
2. Molto vivo [6:57]
3. Adagio e dolcemente [10:22]
4. Alla Marcia vivace[4:53]

Jason Eckardt: Strömkarl [12:51]

Miranda Cuckson, violin
Blair McMillen, piano

Produced by Gene Gaudette
Engineered and edited by Ryan Streber, Oktaven Audio

CD Edition: Urlicht AudioVisual UAV-5989

CD release date: March 4, 2014
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Available in Europe and Asia in May 2013

The Music of Gustav Mahler – Issued 78s, 1903-1940

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Nov 022013
 

This collection of every known commercially issued Mahler recording from 1903-40 is one of the most important Mahler issues in recent decades and is very strongly recommended indeed.” — Robert Matthew-Walker, International Record Review, Dec. 2013

Epic… Excellent transfers and exhaustive notes.
Gramophone

This impressive collection of early — very early — Mahler recordings includes symphonies led by the likes of Bruno Walter, Dimitri Mitropoulos, Eugene Ormandy and Willem Mengelberg, often in interpretations more willful and changeable than we are used to today.
– Zachary Woolfe, “2014 Holiday Gift Guide: Best Music,” The New York Times

  • mahlerscanposterized2400The most comprehensive collection ever assembled of Mahler’s music as issued on 78s between 1903 and 1940 — every such recording listed in Péter Fülöp’s Mahler Discography
  • New transfers by Ward Marston and Mark Obert-Thorn
  • Detailed notes on the music, the recording artists, and revelatory information about performances of Mahler’s music prior to World War II by Sybille Werner
  • Full texts and translations
  • Super-value price

Produced by Gene Gaudette
Special thanks to Henry-Louis de La Grange

CD Edition: Urlicht AudioVisual UAV-5980
No longer available, limited to an edition of 1000 copies


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The Music of Gustav Mahler – Issued 78s, 1903-1940

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Nov 012013
 
  • mahlerscanposterized2400The most comprehensive collection ever assembled of Mahler’s music as issued on 78s between 1903 and 1940 — every such recording listed in Péter Fülöp’s Mahler Discography
  • New transfers by Ward Marston and Mark Obert-Thorn
  • Detailed notes on the music, the recording artists, and revelatory information about performances of Mahler’s music prior to World War II by Sybille Werner
  • Full texts and translations
  • Super-value price

CD Edition: Urlicht AudioVisual UAV-5980
Limited to an edition of 1000 copies

No longer available, limited to an edition of 1000 copies


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Amanda Maier Meets Johannes Brahms

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Oct 012013
 

Amanda Maier was greatly admired by Johannes Brahms for both her virtuoso artistry as a violinist and her ambitious, challenging compositions, including her own Violin Sonata. Brahms gave Maier an early edition of his own Third Violin Sonata — and made numerous revisions before publication based on Maier’s advice.

Amanda Maier Meets Johannes Brahms brings together their mutually infuential violin sonatas along with Brahms’ Trio for Violin, Horn and PianoElmira Darvarova, the frst female concertmaster of the Metropolitan Opera Orchestra, is joined by rising Canadian piano star Bryan Wagorn and, in Brahms’ Horn Trio, New York Philharmonic principal horn Philip Myers in a rare solo appearance.

This release contains the only recording of the Maier Sonata currently availableThe download edition also includes a bonus work not available on CD: Clara Schumann’s 3 Romanzen for piano and violin, Op. 22!

Amanda Maier Meets Johannes Brahms

  1. BrahmsHorn Trio in E-flat Major, Op. 40
  2. MaierViolin Sonata in b minor
  3. BrahmsViolin Sonata No. 3 in d minor, Op. 108

Elmira Darvarova, violin • Philip Myers, horn • Bryan Wagorn, piano

Recorded January 6 & 7, 2013 at Bristol Hall, Westminster Choir College, Princeton, NJ
Engineered by John C. Baker
Produced by Gene Gaudette

Urlicht AudioVisual UAV-5994

CD release date: October 1, 2013

Amanda Maier Meets Johannes Brahms (Extended Edition)

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Oct 012013
 

UAV5994.cover.273Amanda Maier was greatly admired by Johannes Brahms for both her virtuoso artistry as a violinist and her ambitious, challenging compositions, including her own Violin Sonata. Brahms gave Maier an early edition of his own Third Violin Sonata — and made numerous revisions before publication based on Maier’s advice.

Amanda Maier Meets Johannes Brahms brings together their mutually infuential violin sonatas along with Brahms’ Trio for Violin, Horn and Piano. Elmira Darvarova, the frst female concertmaster of the Metropolitan Opera Orchestra, is joined by rising Canadian piano star Bryan Wagorn and, in Brahms’ Horn Trio, New York Philharmonic principal hornPhilip Myers in a rare solo appearance.

This release contains the only recording of the Maier Sonata currently available. The download edition also includes a bonus work not available on CD: Clara Schumann’s 3 Romanzen for piano and violin, Op. 22!

Amanda Maier Meets Johannes Brahms

  1. Brahms: Horn Trio in E-flat Major, Op. 40
  2. Maier: Violin Sonata in b minor
  3. Brahms: Violin Sonata No. 3 in d minor, Op. 108
  4. Bonus tracks in the download edition ONLY — Clara Schumann: 3 Romanzen for piano and violin, Op. 22

Elmira Darvarova, violin • Philip Myers, horn • Bryan Wagorn, piano

Recorded January 6 & 7, 2013 at Bristol Hall, Westminster Choir College, Princeton, NJ
Engineered by John C. Baker
Produced by Gene Gaudette

Urlicht AudioVisual UAV-5984

HD download release date: October 15, 2013

Buy the CD Edition here .

Also available in download formats:

  • Download editions are delivered in .zip format and contain all music files with
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  • iTunes users: download the mp3 to your iTunes directory, unzip, and enjoy!
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Download the High Definition FLAC edition here — $10.99

Download the CD quality FLAC edition here — $9.99

Download the mp3 (VBR 48kHz maximum quality) edition here — $8.99

Gary Karr, Elmira Darvarova & Harmon Lewis Play Handel & Barthélémon

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Jul 162013
 

The two composers on this disc lived and worked in London. Rather than performing a servile role in the aristocratic courts of Europe or working as music directors in churches, they joined many of Europe’s finest musicians in London, where they were offered independence and respect. One composer is in the pantheon of greats. The other has unjustifiably become an historical footnote, and the man who is arguably the world’s greatest virtuoso double bassist is out to right this wrong!

Double bassist Gary Karr, one of the greatest living string virtuosos, presents the world premiere recordings of trios by late Baroque composer François-Hippolyte Barthélemon, coupled with his edition of string trios by Barthélemon’s friend and colleague Georg Frideric Handel. Karr is joined by his longtime keyboard collaborator Harmon Lewis and MET orchestra past concertmaster Elmira Darvarova. A must-have recording for fans of double bass, baroque music, and just plain terrific music-making!

George Frideric Handel: Sonata in g minor, Op. 2 No. 8
I. Andante • II. Allegro [energico] • III. Largo • IV. Allegro [con fermezza]

François-Hippolyte Barthélemon: Duetto I in C Major
I. Allegro moderato • II. Andante con variazioni • III. Allegretto

Barthélemon: Duetto II in A Major
I. Allegro moderato • II. Adagio • III. Rondeau. Allegretto

Handel: Sonata in E Major, Op. 2 No. 9
I. Adagio • II. Allegro • III. Adagio • IV. Allegro

Gary Karr, double bass
Elmira Darvarova, violin
Harmon Lewis, continuo

Produced by Gary Karr

Urlicht AudioVisual UAV-5993

CD release date: July 16, 2013

Miranda Cuckson Plays Luigi Nono: La lontananza

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Feb 122013
 

Luigi Nono‘s penultimate work was conceived as an immersive experience for listeners: a solo violinist accompanied by electronically transformed violin sounds emanating from speakers around the audience.

For the first time, Nono’s La lontananza nostalgica utopica futura is being released in a way that allows the home listener to experience the work as the composer intended, with violinist Miranda Cuckson accompanied by Luigi Nono’s original eight-channel tape, restored and mixed by Christopher Burns in high-definition 5.1 surround sound on Blu-Ray Audio disc, and in a stereophonic mix on compact disc.

Luigi Nono: La lontananza nostalgica utopica futura (1988-89)
Miranda Cuckson, violin / Christopher Burns, electronics

Produced by Christopher Burns and Richard Warp
Recording engineer: Richard Warp
Recorded at A Bloody Good Record Inc, Long Island City NY
Mixing engineer (stereo CD): Richard Warp
Mixing engineers (DTS 5.1 surround mix): Paul Special and Richard Warp
Assistant mixing engineer (DTS 5.1 surround mix): Dillon Pajunas
DTS 5.1 surround mix produced at Sonic Arts Center, CCNY, NYC
Produced for New Spectrum Recordings, NYC
Executive producer: Glenn Cornett

Urlicht AudioVisual UAD-5992-BR

Audio Blu-Ray + CD release date: February 12, 2013

 

The New York Piano Quartet Plays Marx & Korngold

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Jan 292013
 

“How could such a major composer fall into oblivion?”

Those are the words of conductor Riccardo Chailly concerning Austrian composer Joseph Marx, whose music remained firmly in the romantic tradition throughout his long career, which spanned the first six decades of the twentieth century. For the latter half of the twentieth century, Marx’s reputation rested on over 150 songs composed in the late romantic style, most of which he wrote while he was in his twenties; the rest of his music had been all but forgotten. Only recently has his technically demanding chamber music, including the?Rhapsodie for piano quartet — which received its American premiere last year from the New York Piano Quartet — enjoyed a revival.

Marx’s more famous contemporary, Erich Wolfgang Korngold, is most well known as the composer who revolutionized music for the cinema. Korngold enjoyed a fruitful partnership with Paul Wittgenstein, the eminent pianist who lost his right arm in the First World War and commissioned the leading composers of his day to write works for piano left hand. Korngold’s Suite for piano left hand, two violins and cello has all the composer’s hallmarks — evocative and expressive melodies, brilliant harmonies, and dramatic virtuoso gestures — along with a few portents of the great film scores he would begin composing less than a decade later.

Here are two great works of 20th century high romanticism guaranteed to please fans of romantic repertoire and bravura chamber music. In their newest recording, the New York Piano Quartet rise to the challenge of Marx’s Rhapsodie, a veritable symphonic poem for four players, and Korngold’s entertaining Suite.

Joseph Marx: Rhapsodie
Erich Wolfgang Korngold: Suite for piano left hand, two violins and cello*

New York Piano Quartet
Elmira Darvarova, violin / Ronald Carbone, viola and *violin / Samuel Magill, cello / Linda Hall, piano

Produced by Gene Gaudette
Engineered by John C. Baker
Recorded March 2012, Lawrenceville School Chapel, Lawrenceville, NJ

Urlicht AudioVisual UAV-5996

CD release date: January 29, 2013

“Songs for Mahler in the Absence of Words”

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Sep 122012
 

When I heard this program presented during the 2011 New York Chamber Music Festival, in honor of the centenary of Gustav Mahler‘s death, I knew it had to be recorded. The New York Piano Quartet brought the sort of urgency to Mahler’s earliest surviving work, the opening movement of what was to be a longer Quartet for Piano and Strings, that has eluded every other performance and recording of this work that I have heard. Three distinctly different realizations of Mahler’s sketches for what was to be the quartet’s second movement are also featured — a completion in the grand romantic style by Enguerrand-Friedrich Luhl, the angular, almost expressionist movement by Soviet master Alfred Schnittke, and Gernot Wolfgang‘s jazz-infused From Vienna With Love. The program also includes works commissioned for the concert in remarkably divergent styles by Wang Jie, Cristina Spinei, Barney Johnson, Noel Zahler, Patricia Leonard, and Nicolas Prada. The players and I have dedicated this recording to author and critic Norman Lebrecht, an indefatigable champion of Mahler’s music.

— Gene Gaudette, Managing Partner, Urlicht AudioVisual

Songs for Mahler in the Absence of Words

Gustav Mahler: Piano Quartet
Enguerrard Friedrich Luhl: Scherzo
Gernot Wolfgang: From Vienna with Love
Christina Spinei: Mahler Remixed
Barney Johnson: Mahler 99
Wang Jie: Songs for Mahler in the Absence of Words
Noel Zahler: Le miroir de l’ombre
Patricia Leonard: Strangely Close, Yet Distant
Alfred Schnittke: Piano Quartet
Nicolas Prada: Reflections on Mahler

New York Piano Quartet
Elmira Darvarova, violin / Ronald Carbone, viola / Samuel Magill, cello / Linda Hall, piano

Produced by Gene Gaudette
Engineered by John C. Baker
Recorded March 2012, Lawrenceville School Chapel, Lawrenceville, NJ

Urlicht AudioVisual UAV-5998

CD Release Date: September 25, 2012