Pascal Rogé is today’s unrivaled master of French piano music. With a legacy of recordings spanning nearly four decades, many acknowledged as benchmarks, Rogé is one of the most critically acclaimed and best-selling pianists of all time.
Poulenc has figured in Pascal Rogé’s repertoire since his earliest years. His desire to revisit the chamber music of Poulenc has led to this unique collaboration with friends from the New York Philharmonic, Orchestre de Paris, MET Orchestra, and Orchestre National de France, along with his wife Ami Rogé. This cross-continental collaboration — recorded at the church in Paris where his mother was organist and at the acoustically superb Lawrenceville School chapel — brings together four of Poulenc’s sonatas for solo instruments and piano along with other chamber works. Audiophile engineers George Vasiliev and John C. Baker capture these performances in state-of-the-art sound, setting a new standard in this highly listenable and frequently played recital repertoire.
Poulenc | Pascal Rogé et ses amis
Sonata for flute and piano (1956) — Michel Moraguès, principal flute, Orchestre National de France
Sonata for oboe and piano (1962) — Liang Wang, principal oboe, New York Philharmonic
Élégie for horn and piano (1957) in memory of Dennis Brain — Howard Wall, horn, New York Philharmonic
Sonata for clarinet and piano (1962) — Pascal Moraguès, 2ème principal clarinet, Orchestre de Paris
Sonata for Piano Four Hands (1918, rev. 1939) — Ami Rogé, piano
Sonata for violin and piano (1942-3 rev. 1949) to the memory of Federico Garcia Lorca / Bagatelle for violin and piano (1932) — Elmira Darvarova, past concertmaster, MET Orchestra
Pascal Rogé, piano
Recorded 2013 in Paris and Lawrenceville, New Jersey
Engineered by George Vassilev and John C. Baker
Edited by George Vassilev and Gene Gaudette
Produced by Gene Gaudette
Urlicht AudioVisual UAV-5986
Distributed in the US and Canada by Entertainment One
Distributed in the Europe and Asia by Also Distribution and its affiliates.
Christian Carey reviews the newest CD from Miranda Cuckson and Blair McMillen:
Violinist Miranda Cuckson and pianist Blair McMillen have already proven themselves an estimable duo for works by American Modernists such as Shapey and Martino. Their latest outing features Elliott Carter’s Duo for Violin and Piano (1973)… a rendition that juxtaposes rigor and grace, violence and gentleness… Clocking in at over thirty minutes, [the Sessions Sonata for solo violin] is a bear of a piece, demanding both virtuosity and considerable thoughtfulness from the violinist to bring it off: Cuckson has both in spades. … [Eckardt’s Styrömkarl] is vividly characterful and a real workout for the performers; one they assay handily.
Elliott Carter: Duo for violin and piano (1973) [21:56]
Roger Sessions: Sonata for solo violin (1953)
1. Tempo moderato, con ampiezza, e liberamente [10:53]
2. Molto vivo [6:57]
3. Adagio e dolcemente [10:22]
4. Alla Marcia vivace[4:53]
Jason Eckardt: Strömkarl [12:51]
Miranda Cuckson, violin
Blair McMillen, piano
Produced by Gene Gaudette
Engineered and edited by Ryan Streber, Oktaven Audio
CD Edition: Urlicht AudioVisual UAV-5989
Download Apple Lossless HD album from Payloadz.com ($10.99)
Download FLAC format HD album from Payloadz.com ($10.99)
Download Apple Lossless CD-quality album from Payloadz.com ($9.99)
Download FLAC CD-quality album from Payloadz.com ($9.99)
Download mp3-MAX* album from Payloadz.com ($9.99)
* mp3-MAX uses mEyeFi Media’s cutting-edge variable bitrate .mp3 encoding, optimized for maximum fidelity and transparency
High praise from the world’s most influential classical music magazine:
“ The players – all members of the Metropolitan Opera Orchestra – restore life to works by the Austrian composers Joseph Marx and Erich Wolfgang Korngold long left on the shelf of history. … Both pieces receive ultra-impassioned, vividly detailed performances by the musicians of the New York Piano Quartet. Given the fact that Marx and Korngold aren’t shy about wearing hearts on sleeves, the players dig into the music with alacrity, the strings often employing juicy vibrato and slides to emphasise the composers’ expressive oints. The artistry has the excitement that often transpires when something significant as been unearthed and savoured.”
– Donald Rosenberg, Gramophone, June 2013
Download the hi-def .flac edition here.
Download the CD-quality .flac edition here.
Download the hi-quality mp3 edition here.
Buy the CD edition here.